from: http://www.phrack.org/issues.html?issue=7&id=3&mode=txt
==Phrack Inc.==
Volume One, Issue 7, Phile 3 of 10
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The following was written shortly after my arrest...
\/\The Conscience of a Hacker/\/
by
+++The Mentor+++
Written on January 8, 1986
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Another one got caught today, it's all over the papers. "Teenager
Arrested in Computer Crime Scandal", "Hacker Arrested after Bank Tampering"...
Damn kids. They're all alike.
But did you, in your three-piece psychology and 1950's technobrain,
ever take a look behind the eyes of the hacker? Did you ever wonder what
made him tick, what forces shaped him, what may have molded him?
I am a hacker, enter my world...
Mine is a world that begins with school... I'm smarter than most of
the other kids, this crap they teach us bores me...
Damn underachiever. They're all alike.
I'm in junior high or high school. I've listened to teachers explain
for the fifteenth time how to reduce a fraction. I understand it. "No, Ms.
Smith, I didn't show my work. I did it in my head..."
Damn kid. Probably copied it. They're all alike.
I made a discovery today. I found a computer. Wait a second, this is
cool. It does what I want it to. If it makes a mistake, it's because I
screwed it up. Not because it doesn't like me...
Or feels threatened by me...
Or thinks I'm a smart ass...
Or doesn't like teaching and shouldn't be here...
Damn kid. All he does is play games. They're all alike.
And then it happened... a door opened to a world... rushing through
the phone line like heroin through an addict's veins, an electronic pulse is
sent out, a refuge from the day-to-day incompetencies is sought... a board is
found.
"This is it... this is where I belong..."
I know everyone here... even if I've never met them, never talked to
them, may never hear from them again... I know you all...
Damn kid. Tying up the phone line again. They're all alike...
You bet your ass we're all alike... we've been spoon-fed baby food at
school when we hungered for steak... the bits of meat that you did let slip
through were pre-chewed and tasteless. We've been dominated by sadists, or
ignored by the apathetic. The few that had something to teach found us will-
ing pupils, but those few are like drops of water in the desert.
This is our world now... the world of the electron and the switch, the
beauty of the baud. We make use of a service already existing without paying
for what could be dirt-cheap if it wasn't run by profiteering gluttons, and
you call us criminals. We explore... and you call us criminals. We seek
after knowledge... and you call us criminals. We exist without skin color,
without nationality, without religious bias... and you call us criminals.
You build atomic bombs, you wage wars, you murder, cheat, and lie to us
and try to make us believe it's for our own good, yet we're the criminals.
Yes, I am a criminal. My crime is that of curiosity. My crime is
that of judging people by what they say and think, not what they look like.
My crime is that of outsmarting you, something that you will never forgive me
for.
I am a hacker, and this is my manifesto. You may stop this individual,
but you can't stop us all... after all, we're all alike.
+++The Mentor+++
_______________________________________________________________________________
<< preface
this blog is nina wenhart's collection of resources on the various histories of new media art. it consists mainly of non or very little edited material i found flaneuring on the net, sometimes with my own annotations and comments, sometimes it's also textparts i retyped from books that are out of print.
it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.
the focus is on the time period from the beginning of the 20th century up to today.
it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.
the focus is on the time period from the beginning of the 20th century up to today.
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>> The Mentor, "The Conscience of a Hacker", 1986
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- >> jodi.org
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- >> timeline of hacker history
- >> The Mentor, "The Conscience of a Hacker", 1986
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- >> La Monte Young, "Composition 1960 #10"
- >> definition: systems
- >> Douglas Davis, "The World's First Collaborative...
- >> Cornelia Sollfrank, "Women Hackers", 1999
- >> interview: Florian Cramer, Cornelia Sollfrank, ...
- >> CrimethInc., "Recipes for Disaster", 2004
- >> Cut Ups
- >> Brion Gysin, "Cut-Ups Self-Explained", 1970
- >> William S. Burroughs, "The Cut-Up Method of Bri...
- >> Roman Verostko, "Epigenetic Art Revisited: Soft...
- >> Erkki Huhtamo, "WEB STALKER SEEK AARON Reflecti...
- >> Christiane Paul, "Public CulturalProduction Art...
- >> Casey Reas, "Programming Media", 2003
- >> Christiane Paul, "CODeDOC", 2002
- >> Christiane Paul, "CODeDOC II", 2003
- >> Olga Goriunova, Alexei Shulgin , "Artistic Soft...
- >> runme.org
- >> Florian Cramer + Ulrike Gabriel, "Software Art"...
- >> Florian Cramer, "words made flesh: code, cultur...
- >> Florian Cramer, mez, ,,Re(ad.htm" , 2002
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- Nina Wenhart ...
- ... is a Media Art historian and researcher. She holds a PhD from the University of Art and Design Linz where she works as an associate professor. Her PhD-thesis is on "Speculative Archiving and Digital Art", focusing on facial recognition and algorithmic bias. Her Master Thesis "The Grammar of New Media" was on Descriptive Metadata for Media Arts. For many years, she has been working in the field of archiving/documenting Media Art, recently at the Ludwig Boltzmann Institute for Media.Art.Research and before as the head of the Ars Electronica Futurelab's videostudio, where she created their archives and primarily worked with the archival material. She was teaching the Prehystories of New Media Class at the School of the Art Institute of Chicago (SAIC) and in the Media Art Histories program at the Danube University Krems.
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