>> "General Motors", Phil Morton, 1976

Phil Morton, "General Motors", 1976
made with the sandin image processor
digitized by joncates, SAIC, who also started and hosts the complete phil morton archive

enjoy a lot!

also see jon's entry on morton on wikipedia: http://en.wikipedia.org/wiki/Phil_Morton
as well as jon's online archive which also includes the distribution religion, a predecessor to open source licences:
http://copyitright.wordpress.com/

>> "Hole in Space", Kit Galloway, Sherrie Rabinowitz, 1980

the project's website: http://www.ecafe.com/getty/HIS/
from this website:

"HOLE-IN-SPACE was a Public Communication Sculpture. On a November evening in 1980 the unsuspecting public walking past the Lincoln Center for the Performing Arts in New York City, and "The Broadway" department store located in the open air Shopping Center in Century City (LA), had a surprising counter with each other.

Suddenly head-to-toe, life-sized, television images of the people on the opposite coast appeared. They could now see, hear, and speak with each other as if encountering each other on the same sidewalk. No signs, sponsor logos, or credits were posted -- no explanation at all was offered. No self-view video monitors to distract from the phenomena of this life-size encounter. Self-view video monitors would have degraded the situation into a self-conscience videoconference.

If you have ever had the opportunity to see what the award winning video documentation captured then you would have laughed and cried at the amazing human drama and events that were played out over the evolution of the three evenings. Hole-In-Space suddenly severed the distance between both cities and created an outrageous pedestrian intersection. There was the evening of discovery, followed by the evening of intentional word-of-mouth rendezvous, followed by a mass migration of families and trans-continental loved ones, some of which had not seen each other for over twenty years.

Created and produced by Kit Galloway and Sherrie Rabinowitz. Funded in part by by grants from the National Endowment for the Arts and The Broadway Department Store, with support from Avery Fisher Hall, and the support of many companies including Western Union, General Electric and Wold Communications."