<< preface

this blog is nina wenhart's collection of resources on the various histories of new media art. it consists mainly of non or very little edited material i found flaneuring on the net, sometimes with my own annotations and comments, sometimes it's also textparts i retyped from books that are out of print.

it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.

the focus is on the time period from the beginning of the 20th century up to today.

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2008-10-02

>> Herbert Franke, "Computer Graphics, Computer Art", 1971

"The works from computers nowadays covered by the term 'comoputer art' are in my opinion among the most remarkable products of our time:

not because they s

urpass, or even approach, the beauty of traditional forms of art, but because they place established ideas of beauty and art in question;

not because they are intrinsically satisfactory or ebven finished, but because their very unfinished form indicates the great potential for future development;

not because the resolve problems, but because they raise and expose them.


Computer art [...] expresses the progress taking place in computer science."


(to be continued)

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... is a Media Art historian and independent researcher. She is currently writing on "speculative archiving && experimental preservation of Media Art" and graduated from Prof. Oliver Grau's Media Art Histories program at the Danube University in Krems, Austria with a Master Thesis on Descriptive Metadata for Media Arts. For many years, she has been working in the field of archiving/documenting Media Art, recently at the Ludwig Boltzmann Institute for Media.Art.Research and before as the head of the Ars Electronica Futurelab's videostudio, where she created their archives and primarily worked with the archival material. She was teaching the Prehystories of New Media Class at the School of the Art Institute of Chicago (SAIC) and in the Media Art Histories program at the Danube University Krems.