<< preface
this blog is nina wenhart's collection of resources on the various histories of new media art. it consists mainly of non or very little edited material i found flaneuring on the net, sometimes with my own annotations and comments, sometimes it's also textparts i retyped from books that are out of print.
it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.
the focus is on the time period from the beginning of the 20th century up to today.
it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.
the focus is on the time period from the beginning of the 20th century up to today.
>> search this blog
2008-07-07
>> Ken Knowlton, "On the Frustrations of Collaborating with Artists", 2001
Gepostet von Nina Wenhart ... hh:mm 5:14 PM tags - artists, collaboration, computer animation, early new media, engineers, media art, text
Bookmark this post:blogger tutorials
Social Bookmarking Blogger Widget | I'm reading: >> Ken Knowlton, "On the Frustrations of Collaborating with Artists", 2001 ~ |
Subscribe to:
Post Comments (Atom)
>> additional class blogs
>> labels
- Alan Turing (2)
- animation (1)
- AR (1)
- archive (14)
- Ars Electronica (4)
- art (3)
- art + technology (6)
- art + science (1)
- artificial intelligence (2)
- artificial life (3)
- artistic molecules (1)
- artistic software (21)
- artists (68)
- ASCII-Art (1)
- atom (2)
- atomium (1)
- audiofiles (4)
- augmented reality (1)
- Baby (1)
- basics (1)
- body (1)
- catalogue (3)
- CAVE (1)
- code art (23)
- cold war (2)
- collaboration (7)
- collection (1)
- computer (12)
- computer animation (15)
- computer graphics (22)
- computer history (21)
- computer programming language (11)
- computer sculpture (2)
- concept art (3)
- conceptual art (2)
- concrete poetry (1)
- conference (3)
- conferences (2)
- copy-it-right (1)
- Critical Theory (5)
- culture industry (1)
- culture jamming (1)
- curating (2)
- cut up (3)
- cybernetic art (9)
- cybernetics (10)
- cyberpunk (1)
- cyberspace (1)
- Cyborg (4)
- data mining (1)
- data visualization (1)
- definitions (7)
- dictionary (2)
- dream machine (1)
- E.A.T. (2)
- early exhibitions (22)
- early new media (42)
- engineers (3)
- exhibitions (14)
- expanded cinema (1)
- experimental music (2)
- female artists and digital media (1)
- festivals (3)
- film (3)
- fluxus (1)
- for alyor (1)
- full text (1)
- game (1)
- generative art (4)
- genetic art (3)
- glitch (1)
- glossary (1)
- GPS (1)
- graffiti (2)
- GUI (1)
- hackers and painters (1)
- hacking (7)
- hacktivism (5)
- HCI (2)
- history (23)
- hypermedia (1)
- hypertext (2)
- information theory (3)
- instructions (2)
- interactive art (9)
- internet (10)
- interview (3)
- kinetic sculpture (2)
- Labs (8)
- lecture (1)
- list (1)
- live visuals (1)
- magic (1)
- Manchester Mark 1 (1)
- manifesto (6)
- mapping (1)
- media (2)
- media archeology (1)
- media art (38)
- media theory (1)
- minimalism (3)
- mother of all demos (1)
- mouse (1)
- movie (1)
- musical scores (1)
- netart (10)
- open source (6)
- open source - against (1)
- open space (2)
- particle systems (2)
- Paul Graham (1)
- performance (4)
- phonesthesia (1)
- playlist (1)
- poetry (2)
- politics (1)
- processing (4)
- programming (9)
- projects (1)
- psychogeography (2)
- publications (36)
- quotes (2)
- radio art (1)
- re:place (1)
- real time (1)
- review (2)
- ridiculous (1)
- rotten + forgotten (8)
- sandin image processor (1)
- scientific visualization (2)
- screen-based (4)
- siggraph (1)
- situationists (4)
- slide projector (1)
- slit scan (1)
- software (5)
- software studies (2)
- Stewart Brand (1)
- surveillance (3)
- systems (1)
- tactical media (11)
- tagging (2)
- technique (1)
- technology (2)
- telecommunication (4)
- telematic art (4)
- text (58)
- theory (23)
- timeline (4)
- Turing Test (1)
- ubiquitious computing (1)
- unabomber (1)
- video (14)
- video art (5)
- video synthesizer (1)
- virtual reality (7)
- visual music (6)
- VR (1)
- Walter Benjamin (1)
- wearable computing (2)
- what is? (1)
- William's Tube (1)
- world fair (5)
- world machine (1)
- Xerox PARC (2)
>> timetravel
-
▼
08
(252)
-
▼
7
(141)
-
▼
7
(12)
- >> re:place re:view
- >> Helen Thorington, "What is Radio Art?",
- >> exhibition: The Machine as Seen at the end of t...
- >> Adrian Ward, Signwave Auto-Illustrator
- >> Ken Knowlton, "On the Frustrations of Collabora...
- >> Vanevar Bush, "Memex", 1945
- >> ASCII-Art
- >> exhibition: "Computer-Generated Pictures", 1965
- >> Golan Levin, "The Dumpster"
- >> processing
- >> Casey Reas
- >> LIA
-
▼
7
(12)
-
▼
7
(141)
>> cloudy with a chance of tags
followers
.........
- Nina Wenhart ...
- ... is a Media Art historian and researcher. She holds a PhD from the University of Art and Design Linz where she works as an associate professor. Her PhD-thesis is on "Speculative Archiving and Digital Art", focusing on facial recognition and algorithmic bias. Her Master Thesis "The Grammar of New Media" was on Descriptive Metadata for Media Arts. For many years, she has been working in the field of archiving/documenting Media Art, recently at the Ludwig Boltzmann Institute for Media.Art.Research and before as the head of the Ars Electronica Futurelab's videostudio, where she created their archives and primarily worked with the archival material. She was teaching the Prehystories of New Media Class at the School of the Art Institute of Chicago (SAIC) and in the Media Art Histories program at the Danube University Krems.
No comments:
Post a Comment