"The works from computers nowadays covered by the term 'comoputer art' are in my opinion among the most remarkable products of our time:not because they s
urpass, or even approach, the beauty of traditional forms of art, but because they place established ideas of beauty and art in question;
not because they are intrinsically satisfactory or ebven finished, but because their very unfinished form indicates the great potential for future development;
not because the resolve problems, but because they raise and expose them.
Computer art [...] expresses the progress taking place in computer science."
(to be continued)
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